Guadalupe Shark Alert - Shredder Back for Season Nine!

With his distinctive dorsal fin and well known cage diver curiosity Shredder has thrilled divers from around the world for the past nine years.

We named this iconic shark Shredder back in 2003 in an incident that defined this remarkably animal in more ways than one.

See How Shredder Got His Name.

The good news is that our beloved shark is back this week once again thrilling divers after his 2000 mile migration into the deep Pacific and back to Isla Guadalupe.

We are always on the look out for this special and endearing animal and each season when we do not see him in the first pulse of sharks with characters like Bruce we wait with growing concern.

For our divers who have been asking about Shredder this year, he's back and bigger than ever, great news!

Let's go shark diving!

Pilot Episode - SharkDiver The Movie

SharkDiver The Series - Trailer

SharkDiver - Directors Notes

SharkDiver is the journey of a scientist training his mind and body to adapt and be ready for a life threatening dive with Great White Sharks. We’re dealing with real people and real events, to ensure a smooth, engaging flow ‘SharkDiver’ will follow a structured treatment as Luke trains and learns each lesson. Intentionally lacking a formalistic script I allow the characters full freedom to use their own words. They’re experts who know the subject matter better than we can script.

To engage the audience I’m adapting a proven technique from similar documentary dramas, the same technique which made ‘OWNED’ an award winning film. I use three shoulder-mounted cameras, blocking through each scene multiple times with different camera angles to capture moments missed through traditional ‘camera on sticks’ style. Unaware of the cameras position the characters are free to feel their character. While the hand/shoulder held ‘shaky camera’ may seem trivial, a simple look at the first 5 minutes of Saving Private Ryan stands as testament to the emotion that may be conveyed through camera style.

In ‘SharkDiver’ I create a stark contrast between the presumably safe environment above the water and the traditionally dangerous water scenes. Paradoxically the surface style will evoke an almost claustrophobic state of mind, causing an edginess in the audience until we dive underwater where we switch to longer cuts and smoother pans, soothing the audience while in reality Luke’s risking life and limb to follow his dream. Subliminally the audience will experience an increasing comfort level underwater while in the presence of sharks, a message that will promote our goal of conservation and education of the aquatic realm and it’s Apex Predators.